#RRR Band
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It's a long way down as the crow flies
#this is an 80s aussie pop band playing with a more aggressive sound and fuck it's GOOD#rrr my beloved community radio my beloved for playing this and having me sit there until they said the name of the song#Youtube
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Shilpa Rao on MM Keeravaani bagging global honours: He is a melody maker, and the recognition he is getting is long overdue - Exclusive - Times of India
After winning an award in the Best Original Song category at the Golden Globe Awards 2023, MM Keeravaaniâs song âNaatu Naatuâ from âRRRâ has also bagged Oscar nominations. ETimes recently got in touch with singer Shilpa Rao, who has worked with the maestro earlier in âLahoreâ where she sang âO Re Bandeâ with Rahat Fateh Ali Khan. Talking about her experience of working with him, Shilpa said,âŠ
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#bollywood#Golden Globes 2023#mm keeravaani#MM Kreem#Naatu Naatu#O Re Bande#Oscars#RRR#shilpa rao#ss rajamouli
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Send from Sansgreet Android App. Sanskrit greetings app from team @livesanskrit .
It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet
Alluri Sitarama Raju.
Alluri Sitarama Raju (1897 or 1898 â 7 May 1924) was an Indian revolutionary involved in the Indian independence movement. After the passing of the 1882 Madras Forest Act, its restrictions on the free movement of tribal people in the forest prevented them from engaging in their traditional podu agricultural system, which involved shifting cultivation. Alluri led the Rampa Rebellion of 1922, during which a band of tribal people and other sympathisers fought in the border areas of the East Godavari and Visakhapatnam regions of Madras Presidency, in present-day Andhra Pradesh, against the British Raj, which had passed the law. He was referred to as "Manyam Veerudu" ('Hero of the Jungle') by the local villagers.
@ssrajamouli
@rrrmovie
@alwaysramcharan
@dvvmovies
@lyca_productions
#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #allurisitaramaraju #alluri #sitaramaraju #ssrajamouli #rrr #rrrmovie #ramcharan #andhrapradesh #telengana #bheemunipatnam #ambaragoppa #poduagriculturesystem #celebratingsanskrit #july4 #manyamveerudu
#greetingsinsanskrit#sanskritgreetings#sanskrittrends#trendsinsanskrit#livesanskrit#sanskrit#celebratingsanskrit#incredibleindia#indianarmy
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Best of 2022
Here it is: my yearly summation of the small labels working through rising costs and punishing manufacturing delays, the artists making music unafraid of chance, and the freaks supporting all of it in spite of the daily consequences of a ruling class increasingly detached from reality. Lots more that deserve accolades from more prestigious publications, and I'm sure they'll get 'em, but these are records that were inseparable from certain points of my year, including now. Yeah, they were all kinda my favorite at one point, and could be again tomorrow, but Kilynn Lunsford is #1 for a reason. Glad to be back at shows, however sparingly, experiencing all the awkward camaraderie and room-silencing/room-flattening performances that come with them. It all feels more necessary than ever. Up and up in a world of lava. Happy New Year, everyone.
LP
Kilynn Lunsford, Custodians of Human Succession (ever/never)
Joe Colley, Deformation of Tone (Total Black)
Kitchen's Floor, None of That (Petty Bunco)
Thomas Bush, Preludes (Mammas Mysteriska Jukebox)
Hissing, Hypervirulence Architecture (Profound Lore)
Tim Goss, Afterfly (Penultimate Press)
Carla dal Forno, Come Around (Kallista)
Rose Mercie, ÂżKieres Agua? (Celluloid Lunch/Jelodanti)
Incipientium, Belastning (Förlag För Fri Musik)
Siobhan, Body Double (Nostilevo)
7"/12"/Cassette/CD
The Body & OAA, Enemy of Love CS (Thrill Jockey)
Brain Tourniquet, s/t 7" (Iron Lung)
CIA Debutante, "The Punch" b/w "The Garden" 7" (Digital Regress)
Cube, Proof of Bells CD (H&S Ranch)
Darksmith, Imposter CD (Throne Heap)
Gaoled, Bestial Hardcore 7" flexi (Iron Lung)
Greymouth, Twilight Furl 7" (Kashual Plastik)
Horrendous 3D, s/t 7" (Black Water)
Incipientium, Inhuman CS (Kashual Plastik)
Primitive Man, Insurmountable 12" (Closed Casket Activities)
RRR Band, s/t CS (Petty Bunco)
Sprite, Epic Sundry CS (Tropical Cancer Rort)
Stomachache, Hiss Noise Whir CD (Lagniappe Exposure)
R.I.P. Young Slo-Be
Rap
42 Dugg & EST Gee, âThump Shitâ
BandGang Lonnie Bands, Scorpion Eyes (Anti Media/TF Entertainment)
Denzel Curry feat. Key Glock, âWalkin (Remix)â
Earl Sweatshirt, SICK! (Tan Cressida)
Lil Durk & Gucci Mane, âRumorsâ
Maz G x GuttaFoe, âWin Some, Lose Someâ - what is going on in Milwaukee
Starlito & Troy Money, Cheap Phones & Turkey Bags (Grind Hard)
Billy Woods, Aethiopes (Backwoodz Studioz)
Young Slo-Be, Southeast (KoldGreedy / Thizzler on the Roof)
Z Money, Back 2 the Blender (self-released) - thx @raygarraty
Pictured: Angels of Mons
Live shows
The Body at 529, Atlanta, GA (May 17)
Primitive Man, Mortiferum, Jarhead Fertilizer, Body Void & Elizabeth Color Wheel at The EARL, Atlanta, GA (May 20)
Brain Tourniquet, Excavate & Thirdface at DRKMTTR, Nashville, TN (July 16)
Reeking Aura at the Brickyard, Knoxville, TN (November 11)
Bitchin Bajas, Maspeth & Angels of Mons at the Pilot Light, Knoxville, TN (December 11)
Five songs that made my daughter dance every time they hit the deck
Bitchin Bajas, "QuakenbrĂŒck" from Bajascillators
Can, "Halleluhwah" from Tago Mago
Rose Mercie, "Cats and Dogs" from ÂżKieres Agua?
TrÀden, "NÀr lingonen mognar (Lingonberries Forever)" from TrÀden
YL Hooi, "W/O Love" from Untitled
#Kilynn Lunsford#ever/never records#Joe Colley#Kitchen's Floor#Petty Bunco#Thomas Bush#Hissing#Tim Goss#Carla dal Forno#Rose Mercie#Incipientium#Siobhan#Brain Tourniquet#Iron Lung#Greymouth#Darksmith#Horrendous 3D#Primitive Man#Gaoled#CIA Debutante#Starlito#Young Slo-Be#Z Money#Earl Sweatshirt#Billy Woods#Best of 2022
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ETERNITIES + earthworm + AUGUSTĂ VICKUNAITĂ + SIMONAS NEKROĆ IUS + ALANAS GURINAS
MARDI LE 05.03
ETERNITIES us earthworm  us AUGUSTĂ VICKUNAITĂ lt SIMONAS NEKROĆ IUS lt ALANAS GURINAS lt
TREIZE 24 rue Moret 75011 M° Couronnes / Ménilmontant
19:30 PORTES
20:00Â ACTION !
P.A.F.6âŹ
ETERNITIESÂ us utah nyc " deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy. We use harmonic tones from wind instruments played within feedback systems to create deep spectral drone. "
Duo composé de Katie Porter ( clarinette basse ) et Bob Bellerue ( electronics, feedback ).
Musicienne spĂ©cialisĂ©e surtout dans la musique expĂ©rimentale / contemporaine ( interprĂ©tant p. ex. les musiques de John Luther Adams, Jason Ajemian, Mike Kelley, Michael Pisaro, Larry Polansky, Stephanie Richards, Morris Rosenzweig, Arthur Russell, James Tenney, Maayan Tsadka, Christian Wolff, entre autres ) mais pas que  ( "   She exists mainly in the experimental realm, but can sometimes be found elsewhere. " ) , Katie Porter est aussi curatrice, passionnĂ©e par la crĂ©ation de communautĂ©s musicales - elle a cofondĂ© p.ex. Listen/Space (Brooklyn) et est commissaire des Listen/Space Commissions, responsables de 46 nouvelles Ćuvres pour groupes de chambre mixtes.
Elle co-dirige également le Symposium biennal VU pour la musique expérimentale, improvisée et électronique (Park City, Utah) et travaille sur un projet de longue haleine ( jeu de mots intentionnel ) pour clarinette solo dans l'installation Sun Tunnels ( 1976 ) - en cours de restauration - de la land-artiste, Nancy Holt, dans l'Utah.
Plusieurs projets dont le duo RED DESERT ENSEMBLE (   âa finely poised musical partnershipâ- THE WIRE, ) avec le percussionniste/compositeur Devin Maxwell, qui a publiĂ© un album sur le label de feu Phil Niblock, XI.
Bob Bellerue est artiste sonore / noisician, ingĂ©-son, technicien et entre autres choses, curateur, entre autres, et notamment LE responsable principal de l'immensissime festival de musiques oufissimo-interlopissimes, ENDE TYMES.Â
Sa pratique sonore tourne souvent autour des systÚmes de rétroaction résonnante, utilisant des instruments, des objets, des enregistrements et des espaces amplifiés, en combinaison avec des composants électroniques et des logiciels écrits dans le langage de programmation de synthÚse audio Supercollider.
Au cours des 30 derniĂšres annĂ©es, il a Ă©tĂ© impliquĂ© dans la crĂ©ation et la prĂ©sentation d'un large Ă©ventail d'activitĂ©s sonores â entre noise, art sonore, musique expĂ©rimentale, percussions junk metal, gamelan balinais, bandes son pour la danse/thĂ©Ăątre/vidĂ©o/art de la performance et installations vidĂ©o / son.Â
Il a publiĂ© moult enregistrements, notamment chez Elevator Bath Records, iDeal Recordings, Banned Productions, Fabrica, P-Tapes, RRR Records, Love Earth Music, Prison Tatt Records, Los Discos Enfantasmes, Zelphabet, Peyote Tapes, No Rent Records ou sur ses propres labels, Anarchymoon Recordings and Sleepy Hollow Editions.Â
earthworm us uk Nouveau duo / projet collaboratif composĂ© de Christi Denton, artiste sonore et compositrice polyvalente originaire des Ătats-Unis et de France, et de Margaret Fiedler McGinnis ( US / UK ), auteur-compositeur et multi-instrumentiste connue pour son travail avec au mitan des annĂ©es 90s MOONSHAKE et LAIKA ensuite, et plus rĂ©cemment avec  PJ Harvey & Wire ( excusez de peu).
 Dans une piĂšce spĂ©cialement composĂ©e pour Le Non_Jazz aux Nautes, elles s'aventureront dans le domaine de l'improvisation structurĂ©e. Conçu pour faire Ă©cho aux pousses vertes tendres de la saison, SPRINGS promet une expĂ©rience sonore immersive. Denton et Fiedler McGinnis crĂ©ent une partition graphique unique pour l'Ă©lectronique rĂ©active, la guitare et d'autres Ă©lĂ©ments qui n'ont pas encore Ă©tĂ© rĂ©vĂ©lĂ©s. Cette approche innovante sâentremĂȘle avec les battements de cĆur des musiciens et dâautres rythmes organiques, crĂ©ant une interaction dynamique entre les interprĂštes et lâesprit Ă©veillĂ© de la saison. https://www.christidenton.com/
AUGUSTĂ VICKUNAITĂ lt  Performeuse / collagiste sonore, avec une formation en sciences physiques ( ! ). Elle utilise principalement des magnĂ©tophones Ă bandes pour jouer, enregistrer et crĂ©er des compositions instantanĂ©es Ă base de d'enregistrements de terrain divers, dysfonctionnements de la technologie vintage ou encore des sons d'instruments enregistrĂ©s dans des environnements naturels.
Sa performance contiendra des boucles de bandes audio et des collages effectués à partir de de bandes trouvées.
SIMONAS NEKROĆ IUS lt Artiste interdisciplinaire de Vilnius, spĂ©cialisĂ© dans l'art sonore et la construction d'instruments Ă©lectro-acoustiques et d'objets sonores faits maison.
Son travail est souvent associĂ© aux notions de « ready-made » et de « DIY ». Il perçoit la crĂ©ativitĂ© et les objets d'art comme un processus, rĂ©duisant ainsi l'importance des rĂ©sultats finalisĂ©s dans ses projets. En consĂ©quence, son travail a tendance Ă ĂȘtre indĂ©terminĂ© et transformateur au fil du temps.
https://www.youtube.com/@SimonasNekrosiusÂ
ALANAS GURINASÂ lt Jeune artiste interdisciplinaire, adepte des performances sonores et des installations audiovisuelles.
Dans sa démarche, il explore le son en tant que phénomÚne textural, les thÚmes de l'éphémÚre et les relations entre divers objets et espaces audibles et inaudibles.
A slightly light tone ( Strained paper sheets, weights, vibro motors, various sound objects )Â
est une performance sonore acoustique live qui utilise le papier comme matĂ©riau principal pour produire du son. DiffĂ©rents types de papiers sont placĂ©s entre deux pinces en bois et, Ă l'aide de poids, sont tendus jusqu'Ă ce qu'ils trouvent leur Ă©tat de rĂ©sonance. En consĂ©quence, diffĂ©rents tons, drones et textures gĂ©nĂ©rĂ©s par du papier en suspension sont produits. (La durĂ©e de la reprĂ©sentation est de +- 30 minutes) Â
Fly - Jo L'Indien
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MONKEY MAN (Red Band) | Trailer & Poster
OscarÂź nominee Dev Patel (Lion, Slumdog Millionaire) achieves an astonishing, tour-de-force feature directing debut with an action thriller about one manâs quest for vengeance against the corrupt leaders who murdered his mother and continue to systemically victimize the poor and powerless.
Inspired by the legend of Hanuman, an icon embodying strength and courage, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash.
After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the cityâs sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Packed with thrilling and spectacular fight and chase scenes, Monkey Man is directed by Dev Patel from his original story and his screenplay with Paul Angunawela and John Collee (Master and Commander: The Far Side of the World).
The filmâs international cast includes Sharlto Copley (District 9), Sobhita Dhulipala (Made in Heaven), Pitobash (Million Dollar Arm), Vipin Sharma (Hotel Mumbai), Ashwini Kalsekar (Ek Tha Hero), Adithi Kalkunte (Hotel Mumbai), Sikandar Kher (Aarya) and Makarand Deshpande (RRR).
Monkey Man is produced by Dev Patel, Jomon Thomas (Hotel Mumbai, The Man Who Knew Infinity), OscarÂź winner Jordan Peele (Nope, Get Out), Win Rosenfeld (Candyman, Hunters series), Ian Cooper (Nope, Us), Basil Iwanyk (John Wick franchise, Sicario films), Erica Lee (John Wick franchise, Silent Night), Christine Haebler (Shut In, Bones of Crows) and Anjay Nagpal (executive producer of Bombshell, Greyhound).
Serving as executive producers are Jonathan Fuhrman, Natalya Pavchinskya, Aaron L. Gilbert, Andria Spring, Alison-Jane Roney and Steven Thibault.
Universal Pictures presents a Bron Studios production, a Thunder Road film, a Monkeypaw production, a Minor Realm/SâYa Concept production, in association with WME Independent and Creative Wealth Media.
From Universal Pictures, in theaters April 5th, 2024.
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John Dies at the End (2012)
Smoking: Splatter
This movie is listed as Horror, Sci-Fi, Fantasy, and a comedy. Iâve seen this movie so many times in the past 11 years. Definitely one of those What The Fuck did I just watch? movies. Something to watch when youâre baked, or even if you just like the strange and unusual, as Lydia describes herself.
I made myself a fancy cup of coffee with whip cream and chocolate sauce in preparation for this movie. Wanted something delicious to go with the creepy.
We follow Chase Williamson, Dave, around as he is on a drug called "Soy Sauce" and trying to find out what happened to his friend John, played by Rob Mayes.
One of my favorite things about this movie is that they got Paul Giamatti to play a role. Like what are the odds heâs in this movie. I donât even think that this movie went into theaters. I found out about it from a guy I was seeing at the time it came out and it is based off of a book he read so Iâm not sure if it went straight to⊠you know what⊠lâll just leave this hear. It isnât important. What is, a girl just burst into several snakes and a door knob turned into a dick!
Now we have this meat man, literal man made out of different meats (whole turkey, ribs, sausage links).
There is the randomest band. They sing âCamel Holocaustâ its definitely not s song like Iâve ever heard before. The beat is really good though. We are seeing this band as a background to how they got Soy Sauce.
We Meet Robert Marley, played by Tai Bennett. He does a really good job of playing someone reaaaaaally creepy. He is going about proving Dave that his abilities are real. All I have to say is high or not, a lot of what happens in this movie makes a lot of sense. Makes you think.
Love that the dog in this movie has a punny name. itâs Bark Lee đ€Ł
Yes, let me put a syringe that has an unknown drug in out pants pocket. Yes yes, that sounds like a smart idea đ
Idk what it is about CW. He just cracks me up through this whole movie. When he first gets injected and is talking to the priest. Itâs some freaking/funny shit đ
If you know anything about Doug Jones, it should give you some insight into the level of creep factor he brings to this movie.. I swear in Buffy itâs the creepiest.
Pause! Time to refill đ
Okay so this next part. The dudeâs mustache just comes ripping off of his face and then flies around like a fucking bat!! Like WHAT?!
Iâm like not even half way through the movie and at 500 words. What are yâall going to do with me? Lol. I just run off. Wonder if more than my bestie actually reads these.. hmmm. Oh well. I enjoy it so thatâs all that matters đ
RM is proving a point to CW about how he is able to hear him so you just have CW walking around town with a bratwurst on a bun up to his ear.
Get high, start acting like an advanced rain man đ
Bark Lee saves the day!! He sure can drive đ
Now I do have to say that the ghost door and using someone who is an amputee to open it was a pretty unique thing. We have Amy, played by Fabianne Therese. She is missing her left hand and she uses it to turn the doorknob.
They enter this other world to destroy their next enemy. Korrok.
Bark Lee saves the day again. What a good boy.
Iâll leave the rest of this for you to watch. It is definitely all it is described to be. If youâre wondering where to watch it, you can buy the DVD like me, or rent it on Prime. At least as of this posting it is on Prime Video.
Toke on đ¶âđ«ïž
-RRR
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nine people you'd like to get to know better
thank you @boguskudos for tagging me!
to the people i'm tagging, no pressure to do it, and if you see this and want to do it, consider yourself tagged! (tagging @oedipussyy @lovesnadwich @dirtylittlediesel @froggystew @lilgynt @sugarpenchant @japhet-omy @sin4days @jonnygreenwood @eucophony)
last song: masterpiece theatre iii by marianas trench. my favorite band of all time. their discography is insane and it shaped me as a person. go listen. rn!!!
last show/movie: it's always sunny in philadelphia is the last show i've watched from start to finish, and today i rewatched my favorite scenes from RRR which added up to like half of it, but if that doesn't count, i rewatched always be my maybe the other day
currently watching: nothing really đ«ą but i could be forgetting something
currently reading: interview with the vampire by anne rice. i'm eating it up and very excited to read the vampire lestat next. i paused my read of bullet train (which was almost finished) and my reread of IT for this, but i'll count those as currently reading too
current obsession: interview with the vampire, i'm going to watch the show when i finish the book. and of course my bullet train obsession never sleeps
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So, the other day, I posted this video, because I figured enough time had passed since I last posted one of the clips of the thing I'm inexplicably obsessed with (late-night 00s Edinburgh shows), so I could get away with posting that one again. This led to a conversation with @lastweeksshirttonight, in which they asked me whether old Edinburgh Festival was always that unhinged. To which I would say - I watched a 2-hour documentary on it that went through years of weird shit that's happened there and didn't even mention Cowgate (though I think that's mainly because Daniel Kitson didn't do the documentary, obviously, so they glossed over his era of hosting a bit, and only really focused on him in a clip of one time when he was being a dick to Ava Vidal, for some reason). Maybe more significantly, a bunch of comedians got a collective nickname for pioneering the groundbreaking, so remarkable they got named after it, idea of not getting drunk every night during Edinburgh late-night shows.
Anyway, this made me think of the guy singing in the above video, whose name is SeĂĄn Cullen. He's Canadian, I used to occasionally hear him on CBC radio when I was younger. From 1987 to 1998, he was in a band called Corky and the Juice Pigs, with comedian Phil Nichol, and Greg Neale. I actually remember Corky and the Juice Pigs a bit too, from when I was young. They used to play on CBC radio, and I think they had songs on a compilation tape (like, an actual cassette tape) of Canadian comedy songs that my dad used to play in the car when I was about eight years old. Arrogant Worms, Bowser and Blue, Three Dead Trolls - those are the three Canadian comedy bands that I remember well being really into as a kid (and not just when I was a kid - the number of Arrogant Worms songs in my music collection has three digits in it, I last saw them live when I was well into my twenties, and I'd see them again tomorrow if the opportunity presented itself). I only very recently made the connection that Corky and the Juice Pigs - that other band that I used to hear play very Canadian joke songs - is the same as the band that Phil Nichol was in with that guy who sang Oh Edinburgh in that video. Turns out I've known who those guys are for way longer than I'd previously thought.
I definitely remember this song from those childhood road trips:
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I fucking loved this song during my childhood phase of thinking Canadians making fun of Americans was the funniest thing in the world (this phase didn't start with Rick Mercer's Talking to Americans but it was certainly fuelled by it).
Anyway, I didn't realize until last month that I've known who Phil Nichol was since I was maybe six years old, when I suddenly made the connection between his band and those childhood cassette tapes. But I did know that part of the answer to "was old Edinburgh Festival always that unhinged?" is "Well, the guy singing the song in that 2001 video that prompted the question was used to be in a band with a Canadian comedian named Phil Nichol, who won the Perrier Award in 2006 for an anti-Iraq war protest show that ended with him removing all his clothes and having about twenty other people on stage with him do the same and encouraging the audience to do so as well, and the in 2008 he called into Daniel Kitson's Melbourne radio show at 3 AM while clearly high to tell him that he loves him, and also that he's just made out with a woman in a car."
Of all the comedians Iâve discovered through my obsession with 00s Edinburgh comedy, Phil Nichol is one of the ones I quite like. At some point after his Corky and the Juice Pigs days ended in the late 90s, he moved to England and has been a comedian there ever since.
He has two old specials on NextUp: Nearly Gay from 2005 and The Naked Racist from 2006 (thatâs the one that won the Perrier Award). Nearly Gay is a show that started because of what I think was Corky and the Juice Pigsâ most popular song: The Only Gay [word I, personally, would not use for Inuit people]. Apparently American comedian Scott Capurro repeatedly accused the song of being homophobic, so in 2005, Phil Nichol wrote a whole show about how he canât be homophobic because he has lots and lots of gay friends and has done lots of stuff that could be considered âgayâ, even though heâs heterosexual. And the show is⊠shockingly, much, much less awful than youâd expect, given the premise. I mean, itâs not perfect. But you know how bad a show youâre imagining based on my description? Itâs a lot better than that.
Most of the time, I would say it would be annoying to spend five minutes listening to a straight dude explain how heâs exempt from homophobia because he kissed his male friend as a joke while drunk once and he has gay friends; it would be unbearable to listen to a guy do that on stage for a whole hour. But Phil Nichol gets away with it, because⊠okay, I have to admit, heâs got a point. Heâs got a lot more to his defense than just an âI kissed a guy when I was drunk onceâ story. He makes his claims and then backs them up. Especially for 2005, when it was way less acceptable for straight guys to do anything that could possibly be perceived as gay. He had me at some point thinking â okay, fair enough, I think this straight guy might actually be sufficiently connected to the gay community to get a little bit of a pass.
It also helps that I donât think the thing for which he was defending himself really needed defending. He was accused of homophobia over his song The Only Gay [word that I, personally, would not use for Inuit people], and you will notice thereâs only one word in that songâs title that I refuse to type, and that word is not âgayâ. Iâve heard the song, and I donât think it is offensive to gay people. Whether itâs offensive to anyone else⊠I mean, itâs got a racial slur in the title. And I realize that word is not a racial slur everywhere. I realize in some parts of the world, itâs even the term thatâs preferred by people it describes. But not in Canada. I was a child in Canada in the 90s, and I knew back then that that word is offensive, so I think itâs fair to say that Canadian band Corky and the Juice Pigs should have known that, even in the 90s. Itâs a whole big thing here â we recently had the city of Edmonton change the name of a major sports team because you donât use that word.
Having said that, there are multiple people in the YouTube comments saying theyâre Inuit and they love this song. I do actually know a couple of Inuit people who have no problem with that word, but I know others who absolutely hate it. Itâs down to the individual, and I wouldnât tell any Inuit person not to use it. But overall, I would say the problem with the song that has a racial slur in the title is not that it pokes fun at gay stereotypes. It pokes fun at gay stereotypes, it pokes fun at Inuit stereotypes, and as a gay person, Iâm authorized to give Phil Nichol and co a pass for one of those things but not the other. Iâm happy to grant the pass in this instance (even though Iâm not really authorized, as those are pretty specifically gay male stereotypes).
Iâll admit it also makes a difference to me that comedian Scott Capurro, the guy who complained about this, is on Comedy Unleashed these days. So he hasnât got a lot of cred in the area of complaining that someone else is being offensive toward his minority status.
Honestly, the song isnât really about gay people or Inuit people. Itâs just an excuse to do an impression of a bunch of different bands, which they do entertainingly. I have to admit, I rewatched it just now and it still made me laugh. Here, watch the video and make up your own mind:
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So thatâs what Nearly Gay was about. His hour-long rebuttal to Scott Capurroâs claims that he was homophobic because he sang a song about a gay guy being turned on by the North Pole. Some weird beef between a Canadian comedian and an American comedian, that he decided to bring to Edinburgh. Again, I might try harder to see Scott Capurroâs side if he werenât [I almost linked to a video of him on Comedy Unleashed here, then though better of it, just trust me on this].
2005 was also the year that Daniel Kitson did a show that had a fair bit in it dedicated to refuting a female journalist who called him a misogynist. I guess that was a big year for straight men explaining how people were wrong to call them these things. But I have to say⊠Phil Nichol made a better case than Daniel Kitson. They both had a point. But Phil Nichol did just happen to have a massive arsenal of stories ready to explain why he might be the most gay-adjacent straight man of the decade.
This was the first Phil Nichol show I saw, when I got into him earlier this year. It certainly made an impression. It takes a while to adjust to Phil Nichol, no matter what youâre watching him do. Just to train your brain to get used to the breakneck pace at which he talks, his relentless enthusiasm. Listening to a Phil Nichol show is like having a conversation with an extremely excitable friend who absolutely cannot fucking wait to tell you about the eighteen different thoughts in his brain at any given second. This is partly because he talks in such a conversational style, if you assume itâs a conversation with someone whoâs just ingested a lot of amphetamine-based drugs. âOkay, okay, so then this happened, and okay, I have to tell you this part â yeah, okay, and then, right, he comes up and does this, so I fucking donât know what to do, right, because what are you supposed to do there, so then I just start screaming, andâŠâ Itâs like that. He talks like that. Non-stop. For an hour.
There are a lot of act-outs, both physical and verbal. Iâve never been hugely into physical comedy, and his acts arenât very physical. It doesnât really rely on the actions to show you the joke. Itâs more than he runs around the stage, he waves his arms around to emphasize his points, every once in a while heâll bring in a gesture to show you what he means. Like he has more to say than he could possibly say in a lifetime and is trying to get across as much as possible. I like the verbal act-outs, though, if thatâs the right term for it, which Iâm almost sure it isnât. Thereâs probably a word for it. Sound effects? Telling a story, then immediately doing something onomatopoeic to demonstrate how something in the story sounded, then right back into the story. Act-outs with audio description.
It's a wild style, it doesnât always work. Iâm sure it doesnât work for everyone â I can imagine some people (justifiable) really not liking him. Honestly, I found him a bit of an acquired taste. The first time I watched him, I got about ten minutes in and thought this probably wonât be for me. It took me about twenty minutes to really buy into it. But once I did, I found it very entertaining. He can take up all your attention, draw you right in so you donât get distracted until heâs done.
Are his jokes well written? Honestly, I have no fucking idea. I suspect not. I cannot, off the top of my head, think of a good joke Iâve heard him tell. Is he using stage presence and delivery to cover for a lack of really strong material? I donât know, probably. But that should be allowed, shouldnât it? If it works? If you can still make people laugh? Some people get away with just getting on stage and slipping on banana peels, and because they look funny when they do it, it counts as good comedy (to people who like that sort of thing). So surely Phil Nicholâs stuff counts even if it relies on the way he talks.
He probably does have some good jokes. I donât know, when I try to pick out individual pieces of his set, thinking too hard about the minutiae of something that intense makes my head hurt. I just sit back, spend an hour with no idea whatâs going on, and once itâs over, I realize I had a good time.
The next show I saw him do was The Naked Racist in 2006. Perrier winner. Beat out other nominees David OâDoherty, We Are Klang, Russell Howard, and Paul Sinha for it. I want people to know I wrote that sentence without looking it up, then looked it up, and I was correct. I know too much. The point is that it won this award, and not in a particularly weak year (whether you think it was weak depends on your view of those other four acts, but theyâre so different from each other that I think any comedy fan would like at least one of those four - personally I'm partial to all four, at least the 2006 versions of them, they represent four very different sides of what I enjoy about 00s comedy).
This was, essentially, an anti-war show. That was big in 2006. Itâs almost weird now, because itâs been so long since the invasions of Afghanistan and Iraq, and advances in technology have made the state of âbeing at warâ so much more nebulous (not that Western countries werenât attacking Central America and the Middle East and various bits of Africa in covert ways during the twentieth century, but it became a lot more common with increased military technology in relatively recent years), so everyone is always at war. In the early 00s, the idea of the US and the UK being âat warâ was a relatively new one, to people whoâs grown up in the 70s/80s/90s (again, you do have to ignore a lot of shit to believe that, including some stuff pretty close to home for Britain, but thatâs how it seemed), and wanted their countries to continue to be at peace. âPacifistâ was a more coherent political stance then, I think, and more common than it is now.
The Naked Racist is a pacifist show. Itâs not a general political show, itâs not a general hippie show, itâs not even only an anti-Iraq war show (although it talks significantly about Iraq) â itâs a show about the specific and coherent political position of pacifism. I find that interesting, just for what it says about the changing political landscape since then.
Itâs a show with a pacifist message, but it certainly doesnât seem like political comedy. It seems like a bunch of stories about doing a lot of drugs and having a lot of sex. Because it is that. Itâs a hundred stories all at once, at any given time heâs trying to tell at least eight, before moving on to the next ones. Itâs a collection of stories that unfold enough so you realize â okay, Iâm pretty sure this is a fairly wild life even for a touring comedian. Sorry, what was that one about the sex club? And itâs not a story of the novelty of the weird time when he walked into a place that turned out to be a sex club. Itâs the story of how he likes going to sex clubs and doing drugs and listening to certain music and pushing himself because that makes him feel deeply alive, and itâs something we can all do with our inherent desires to hurt other people, and humanity doesnât need war, we can all sublimate our violent urges into all this other shit instead. Which might be, you know, a small oversimplification of how deadly global conflicts work. But let him make you believe it for an hour, itâs beautiful.
I should give a warning â there are some N words in this show. Late in the show, at the crux of it. In the most justifiable context that word can have â repeating what got said in another instance while clearly stating that itâs bad that it got said. I just donât think that particular word has any context thatâs actually justifiable. I donât even want to talk about changing times since 2006, because I donât think it was any better then than it is now. But also, just because I donât think context fully absolves him doesnât mean I wonât consider it at all when judging the show. I enjoyed the show anyway. Just like, I guess, I laughed at the Only Gay song anyway. I will turn against a comedian I otherwise like if I think they say something shitty in a way that clearly shows them to actually be shitty (Alfie Brown). But I donât think this is that, even though I donât agree with his choice to use the word. If we start getting rid of anyone whoâs ever said that word in any context then weâd have to start with Stewart Lee, and that would be a whole big thing.
The show ends with some other stuff that⊠completely reasonable people could take issue with. Phil Nicholâs clothes come off, then dancers and other people who are part of the show join him on stage and their clothes come off (that didnât include anyone I recognized in the DVD recording thatâs on NextUp, but the description says that when this was performed in Edinburgh, they had Pappyâs Fun Club and Phil Kay and whatever other comedians they could convince doing it), then the camera pans around to show dancers spread across the crowd taking clothes off, and then they encourage the audience do the same. They donât, to be clear, try to make anyone do it. Itâs a very âjoin us in this if you want to!â situation. So the audience has a choice of whether to take off their clothes, but not in whether to see a lot of other people do that.
And I do mean all their clothes. Full frontal. Iâve seen a lot of Phil Nichol. Iâve seen all of Phil Nichol, it was on display to the audience and camera.
I think this is a grey area, morally, which can sometimes go from a vague academic discussion into something with consequences. See: Jerry Sadowitz, last year. I should say that I donât have much of an opinion on the Jerry Sadowitz thing, because I canât have much of an opinion, Iâve never seen a moment of any of his comedy, much less whatever he did the night he got canceled. Iâve read a bit about what he does, I have an idea of what happened, Iâm pretty sure I think the venue was probably right to get rid of him. Probably. But I donât call that âmuch ofâ an opinion because I donât really know.
I know that last year, part of why his venues canceled on him is they said he took out his dick and showed it to an audience member. And I know that some people defended him by saying seeing dicks is not uncommon at a late-night Edinburgh show, people should know what theyâre getting into. And my view on that is⊠I donât know enough about it to be sure, I canât really definitely say. But I know context matters, and my guess is that context is violating. Someone can be okay with the possibility that someoneâs dick will come out, without being okay with having it shoved in their face specifically, to humiliate them because the comedian gets mad at them. Phil Nichol got his dick out and jumped up and down for all to see, but he didnât single anyone out with it.
I have seen enough other Late ânâ Live clips to know it is true when people say that sometimes people get their dicks out during late-night Edinburgh shows (or they did, at least â not sure if itâs so common these days). And while full frontal nudity is relatively rare, Iâve seen plenty of comedy things, in stand-up and TV, where a comedian ends up in their underwear. It happens. Sometimes thatâs a natural consequence of escalating a bit. And Phil Nichol is nothing if not an escalator of bits.
I think whether itâs okay always depends on context. Is it reasonable to say the audience should have expected the amount of nudity they got? If not, and unsuspecting people had this thrown at them, thatâs anything from a shitty and cancel-able comedy show, to a serious crime. If the audience knew what they were getting into, then I think itâs fair to say the comedian didnât violate anyone. They chose to show up.
Iâve read the description of The Naked Racist (it really is all in the title â I enjoyed this show a lot, but when writing about it, Iâve felt the need to warn people that there is, in fact, nudity and racism in it), and I know a bit about Phil Nichol in general, and I think anyone whoâd done those things at the time should have had a reasonable expectation that he might at some point get his dick out. He didnât spring that on anyone who shouldnât have known.
Honestly, it looked like fun. I donât know what the fuck Iâd have done if Iâd been in that crowd. I mean, I know my clothes would have stayed on. But I donât know if Iâd have been uncomfortable with what was happening around me, or gotten caught up in the excitement of it. Because thatâs what it was. That was the idea behind that as the finale â that people should do wild exciting things like take their clothes off, instead of fight wars. Again, an oversimplification of global policy. But it sure looks cathartic.
After that, I went to Go Faster Stripe and bought his 2021 show Your Wrong. That one was very slightly calmer, but no less intense, I think. He was a little older, slightly less animated, but thatâs still more animated than most people Iâve ever seen do anything. But the story stayed intense because it was more personal, some fucking striking stories about his family and his upbringing. It explained a lot, to be honest. It was like learning about him out of order. I normally like discovering a comedianâs work in chronological order, so I start with their earlier stuff when they tend to be more autobiographical, and then I get to seeing the person they became as a result of that autobiography. Phil Nichol went the other ways. I heard his wild edgy stories of the wild edgy person he was in 2005 and 2006, and then I skipped to 2021 and heard him tell me how he grew up, and I said, âOh, that explains a lot.â That he was raised in a hardcore Christian family and then ran off to Britain, where he immediately dedicated his life to drugs and sex clubs to be the opposite of his family.
Well, after having this conversation the other day, I decided to buy another Phil Nichol thing off Go Faster Stripe, his 2015 show that I hadnât seen yet called I Donât Wanna Talk About It. I watched it for the first time today. I enjoyed it a lot. Heâs still very fucking animated, though a few breaths less mobile than in 2005 and 2006. Itâs a breakup show, and I tend to like breakup shows. Itâs a show that oscillates wildly between hope and despair, and I tend to like that too. It ends with a traditional really "big finish", including a fakeout and a song, and I like that.
It also had some stuff about Canadian politics, which I really liked. Specific stuff, about our political parties and scandals they've had and the issue of Quebec's separation referendum. I don't see that often. I don't see much Canadian comedy, and political stuff is such a small percentage of any comedy I see. I see huge swathes of British comedy, and still have to pick through just a few comedians to get political stuff. So in my smaller pool of Canadian comedians I'm into, the crossover with political comedy is almost zero. I really enjoyed some jokes about it.
âWe had a referendum in Canada â this is true, a true story. I donât know if you know, but the Bloc Quebecois â a separatist group from French Canada, they want to separate on the grounds that theyâre a different people, right â and at one point the Liberal Party in Canada was decimated by a scandal, and so the Bloc Quebecois rose to power, right, and became the Official Opposition in the House of Parliament, against Conservatives, who are right-wing fucking Christian motherfuckers. So, at one point, in the Canadian government, there was all these French guys who wanted to fuck off out of Canada, and a whole bunch of English guys who wanted the French to fuck off out of Canada. It was amazing!â
If you're not from Canada, you should know that extract I just quoted is 100% accurate. He's right, one province's separatist party did become the Official Opposition in our federal government once. People should be making jokes about that all the time.
This show gets into a few specifics of his life that I hadnât known before. Apparently he grew up in fucking Pickering â I didnât know that before. I know Pickering well. I live about four hours away from it. Thereâs a major wrestling team there, and they host several tournaments every year, so Iâve been there to coach a lot. And even when Iâm not actually in Pickering, Iâve spent a lot of time with people from there, competing against people from their team in tournaments held in other places.
I kind of love the idea that one of those people raised in that fucking place turned into Phil Nichol. Because that place as I know it is pretty much what he described. Small, insular, reputation-driven, Christian. His show mentions that two of his nieces from that place got pregnant as teenagers, and were shunned by the community as a result (he's the cool uncle in this story, not one of the people doing the shunning). Personally, I know two different people from Pickering who got teenage pregnant or teenage impregnated someone. Itâs common there, what with the whole Christian thing, the lack of sex ed and everything that comes with that. Iâve met so many bright promising teenagers from that conservative repressive place, and I've seen how few options they have. I hope every fucking one of them follows in the footsteps of Phil Nichol. I hope they all move to England and do a lot of drugs and make out with women in cars and call into radio stations to tell Daniel Kitson they love him and protest against wars and win major awards for it.
I think I started this post with the idea that it would build up to something, but I can't remember what that thing was anymore, and this seems like as good a note as any on which to end it.
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some thoughts of mine on my evolving music taste that i wanted to ramble about
i think ive grown out of liking mitski purely because ive gotten better mentally. or, i feel less alone. i still love her music but it doesnt get me anymore. her music doesn't reach in and stroke the deepest part of me these days. rather, i can't seem to let her in. i think in a way, this shows growth. but in a strange way, i think its a minor set back.
i still need my intake of more somber music, which is why ive shifted to laufey. laufey is more for hopeless romantics, but she has happier music. and even some of her sadder songs have happier beats. its better for me mentally to be listening to more jazzy, popy stuff than gut wrenching heart breaking indie from mitski. laufey gets me though.
yes, im hopelessly in love with a fictional character and he is the one i often think about whilst listening to her songs, but im happier. he keeps me happy. and listening to music that reflects my thoughts and feelings for him helps maintain that feeling of walking on clouds that thinking of him gets me.
listening to mitski was a comfort for the times i felt shackled to the ground, but now that im up above - or at the very least free to go where i want on land, her music is just a reminder of those past times.
i never thought there'd be a time where i would stop liking her music. and that's not necessarily true, i just cant listen to her anymore. not when i have laufey to remind me of all that i have now, no matter how material and delusional it is. mitski used to get me in ways that others never could.
however now that im in a better, or at least happier place, i don't need that. what i need is music that understands where im at now, and laufey fills that role perfectly. ive let go a lot of music that used to define me, because in truth, they never were really me.
mitski, mother mother, mindless self indulgence, tally hall, marina, gorillaz, lemon demon, the living tombstone, the smiths, ricky montgomery, sir chloe, vocaloid in general - don't get me wrong, it's all good music, but listening to them makes me feel like im pretending that im somebody that im not. and i cant stand to listen to them anymore when every part of me is screaming to go elsewhere for my music.
getting into metal has made me so much better as a person, and although it is taking time and i am still new to it, i am so eager to continue this journey of self discovery. ive been gradually getting into nu metal band by band, and im really looking forward to getting into black metal next. those genres just feel like ME and have helped my self expression and confidence loads.
i did this thing to my friends where i made them give me a crap ton of artists on spotify and id listen to all their songs, but i dont even need that anymore. like, it was to help me discover new music, and ill 100% listen to them all eventually, but right now, i want to pursue what makes me the happiest.
anyways, laufey đđ and so is metal. stream twist by korn it makes my autism happy. you not rrrh rot dot n dot n dot per rot dot n not n dot per n dot chi cot n dot rrr ah dot dot ki o ma gri a dot dot ers a pa ta ko some play to we a dot think up a bite rah sometimes you might ooh ooh rrrh we thought we might dot be mer hot something what are you ma ah do bro what are mines is dot ooh ooh rot in dot n bite ooh na na er na he woo hoo rah ate no hoo dot er ha ya dot im wer rah
side note the "he" i kept refering to is of course my sexy babe levi ackerman from attack on titan and i actually think he'd quite like SOME metal bands and this isn't self projection because i dont think he'd like everything i like but you can NOT tell me he wouldnt jam out to coming undone okay?? i also 𫶠all aot songs. openings, endings, soundtrack, it makes my chest feel happy. good music.
TLDR; i broke up with mitski and got with laufey but im also banging korn, slipknot, and soad on the side. im also madly in love with levi ackerman and this is all because of him
#mitski#soad#korn#slipknot#tally hall#mindless self indulgence#system of a down#sir chloe#marina#mother mother#gorillaz#lemon demon#the smiths#ricky montgomery#vocaloid#laufey#levi ackerman#levi attack on titan#aot#attack on titan#captain levi#levi#levi snk#shingeki no kyojin
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itâs...
amateur hour : krökta tankar och brÀnda vanor yuta matsumura : red ribbon treasury of puppies : mitt stora nu straw man army : sos thomas bush : preludes cs + kreme : orange serwed : iii kitchen's floor : none of that long knife : curb stomp earth civilistjÀvel! : jÀrnnÀtter
carla dal forno : come around earl sweatshirt : sick! nw/hr : nuclear winter/heavy rain oxhy : mercy sidha | alice song joe colley : deformation of tone the garbage & the flowers : cinnamon sea birthmark : lamentations valerio tricoli : say goodbye to the wind rrr band : rrr band ssabĂŠ : azurescens the reds, pinks & purples : summer at land's end smirk : material moin : paste incipientium : inhuman malvern brume : body traffic va : thorn valley dip friso : crocodile or real? eyes of the amaryllis : sift the drin : down river in the distance lĂ€uten der seele : lĂ€uten der seele komare : grace to breathe that void mai mao : ricshari puppet wipes : the stones are watching & they can be a handful the sprigs : mole's uninvited guests string : last index of... dj trystero : null-a jon collin : bridge variations francis plagne : the refrain astrid â
ster mortensen : skÊrsgÄrdslyd arv & miljö : vÄlnad av fornskog freundliche kriesel : freundliche kriesel organ of corti : auris warm currency : returns the lloyd pack : i bet you've got some good stories exek : advertise here tacita trjj : meeting on purpose mike cooper : oceans of milk and treacle
archival
hallelujahs : eat meat, swear an oath nein rodere : catch up with what party + gu-n : gu-n jan steele & janet sherbourne : distant saxophones born under a rhyming planet : diagonals stereolab : pulse of the early brain the strange girls : it's ok to be happy
film
crimes of the future d. david cronenberg russia 1985-1999: traumazone d. adam curtis modern love tokyo: for 13 days, i believed him d. kiyoshi kurosawa blonde d. andrew dominik the banshees of inisherin d. martin mcdonagh pinocchio d. guillermo del toro nope d. jordan peele
tv
atlanta the rehearsal andor reservation dogs
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1:A song you like with a color in the title
2:A song you like with a number in the title
3:A song that reminds you of summertime
4:A song that reminds you of someone you would rather forget about
5:A song that needs to be played LOUD
6:A song that makes you want to dance
7:A song to drive to
8:A song about drugs or alcohol
9:A song that makes you happy
10:A song that makes you sad
11:A song that you never get tired of
12:A song from your preteen years
13:One of your favorite 80âs songs
14:A song that you would love played at your wedding
15:A song that is a cover by another artist
16:One of your favorite classical songs
17:A song that would sing a duet with on karaoke
18:A song from the year that you were born
19:A song that makes you think about life
20:A song that has many meanings to you
21:A favorite song with a personâs name in the title
22:A song that moves you forward
23:A song that you think everybody should listen to
24:A song by a band you wish were still together
25:A song by an artist no longer living
26:A song that makes you want to fall in love
27:A song that breaks your heart
28:A song by an artist with a voice that you love
29:A song that you remember from your childhood
30:A song that reminds you of yourself
all of them
hi shad i love you but also fuck you <3 /lh
1 - Red flags by tom cardy
2- the song with 5 names - will wood
3- All Summer Long by some white dude idk
4- where'd all the time go // Bailando Triste
5- DON BY MIRANDA GODBLESSS
6- hips dont lie
7- i dont know how to drive so idk, life is a highway from cars???
8- drunk and disorderly
9- the best of both worlds (hannah montana) and Natuu Natuu from RRR (my 6 yr old bro is obsessed with it so it reminds me of him whenever i listen to it)
10- Leaving on a jet plane and Father Son, they both make me miss my dad, cant wait to see him again in a few months :)
11- SOLO TU, NO NECESITO MAS
12- idk my playlist was shit back then uhhh, Rat by peneloppe scott
13- Puppet Boy
14- The imperial march, Las nevadas ends, la noche mas linda del mundo (i am dead serious)
15- Another one rides the bus by weird al
16- toreador march (if you need to know why, skip to 1:10)
17- interrogation song
18- i dont feel comfortable revealing my exact age sorry shad
19- You gotta die sometime
20- Suburbia Overture
21- CREEPER VS ZOMBIE // Noone remembers achmed // Charlie's inferno
22- memento mori: the most important thing in the world
23- Williard!
24- the only bands i listen to have at least 1 dead member (and ash kabosu ig), so id say Death On two legs by queen (ik queen is still going with roger and brian but freddie is dead and deaky left so ig it counts)
25- Snuff Out the Light - scrapped Yzma song, performed by Eartha Kitt
26- Chop suey by system of a dawn, revenge by captain sparklez, call me what you like (bc theyre like, part of the music taste me and my boyfriend share ;))
27- such small hands.
28- Te aviso, te anuncio (te amo shakira omg)
29- Oppa gamma style, firework, sorry by justin bieber and whatever tf one direction were doing idk i remember i was a fan but i cant remember shit about them
30- Why am i anxious - tom cardy
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How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
â â©â©â©ïž DOWNLOAD LINK đ„đ„đ„ voice crack (plural voice cracks) (informal). Your voice can crack for a number of reasons, including puberty, changing pitch or volume too quickly, and dehydration. Unintentional voice breaks are called a voice crack. Voice break may also refer to the deepening of the male voice during puberty, known as the voice change. Voice Crack was a Swiss electronic free improvisation band. Formed in late by Andy Guhl and Norbert Möslang, Voice Crack began as a free jazz duo. Profile: Now defunct Swiss experimental duo. They began in as free jazz performers and over the life of the duo moved towards electroacoustic and. Excerpt from a Spoonful Tea in a Barrel Full of Honey - Live Version2, Featuring Voice Crack. Voice Crack Radio. Fans also like. Gert-jan Prins. Vocal cracking occurs when a voice is under strain, either from the rapid growth of the larynx as a result of puberty, or from pushing the voice into higher. Text voice crack The phenomenon that occurs whenever you go to capitalize the first letter of a word while accidentally having Caps Lock on. You: Hello! Voice cracks definition: If something hard cracks , or if you crack it, it becomes slightly damaged , with lines | Meaning, pronunciation, translations. When it happens in drama (film/TV), it can be a signifier of fear, sadness or any other kind of emotional distress that causes the voice to crack when the. Voice-crack definition A sudden, unexpected and unintentional crack to one's voice when speaking or singing, which often affects boys during their puberty. Whether you are a beginner or an advanced singer, your voice can crack. This is usually due to the lack of a good vocal warm-up, but sometimes it is also due to. Stream MTSG - Voice Crack by MTSG on desktop and mobile. Play over million tracks for free on SoundCloud. Translations in context of "Voice Cracks" in English-Russian from Reverso Context: (Voice Cracks) I killed Angelica Payson. Voice Crack, the duo of Swiss musicians Andy Guhl (percussion and bass) and Norbert Moeslang (reeds), specialized in music for broken objects found in. A guy's voice "cracks" or "breaks" because his body is getting used to the changing size of his larynx. Fortunately, the cracking and breaking is only. A voice crack occurs in speech when there is an interruption in the air that creates vibration of the vocal folds. Additionally, for singers. Voice Crack discography and songs: Music profile for Voice Crack, formed Genres: EAI, Free Improvisation, Noise. Albums include Earflash, RRR
voice crack - Wiktionary
Voice Crack - Wikipedia
Urban Dictionary: voice crack
Voice break - Wikipedia
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Availability - Spotify
Voice Crack - Wikipedia
Urban Dictionary: voice crack
voice crack - Wiktionary
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Voice break - Wikipedia
Availability - Spotify
Inopportune Voice Cracking - TV Tropes
Stream MTSG - Voice Crack by MTSG | Listen online for free on SoundCloud
Why Is My Voice Changing? (for Teens) - Nemours KidsHealth
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Availability - Spotify
â â©â©â©ïž DOWNLOAD LINK đ„đ„đ„ voice crack (plural voice cracks) (informal). Your voice can crack for a number of reasons, including puberty, changing pitch or volume too quickly, and dehydration. Unintentional voice breaks are called a voice crack. Voice break may also refer to the deepening of the male voice during puberty, known as the voice change. Voice Crack was a Swiss electronic free improvisation band. Formed in late by Andy Guhl and Norbert Möslang, Voice Crack began as a free jazz duo. Profile: Now defunct Swiss experimental duo. They began in as free jazz performers and over the life of the duo moved towards electroacoustic and. Excerpt from a Spoonful Tea in a Barrel Full of Honey - Live Version2, Featuring Voice Crack. Voice Crack Radio. Fans also like. Gert-jan Prins. Vocal cracking occurs when a voice is under strain, either from the rapid growth of the larynx as a result of puberty, or from pushing the voice into higher. Text voice crack The phenomenon that occurs whenever you go to capitalize the first letter of a word while accidentally having Caps Lock on. You: Hello! Voice cracks definition: If something hard cracks , or if you crack it, it becomes slightly damaged , with lines | Meaning, pronunciation, translations. When it happens in drama (film/TV), it can be a signifier of fear, sadness or any other kind of emotional distress that causes the voice to crack when the. Voice-crack definition A sudden, unexpected and unintentional crack to one's voice when speaking or singing, which often affects boys during their puberty. Whether you are a beginner or an advanced singer, your voice can crack. This is usually due to the lack of a good vocal warm-up, but sometimes it is also due to. Stream MTSG - Voice Crack by MTSG on desktop and mobile. Play over million tracks for free on SoundCloud. Translations in context of "Voice Cracks" in English-Russian from Reverso Context: (Voice Cracks) I killed Angelica Payson. Voice Crack, the duo of Swiss musicians Andy Guhl (percussion and bass) and Norbert Moeslang (reeds), specialized in music for broken objects found in. A guy's voice "cracks" or "breaks" because his body is getting used to the changing size of his larynx. Fortunately, the cracking and breaking is only. A voice crack occurs in speech when there is an interruption in the air that creates vibration of the vocal folds. Additionally, for singers. Voice Crack discography and songs: Music profile for Voice Crack, formed Genres: EAI, Free Improvisation, Noise. Albums include Earflash, RRR
voice crack - Wiktionary
Voice Crack - Wikipedia
Urban Dictionary: voice crack
Voice break - Wikipedia
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Availability - Spotify
Voice Crack - Wikipedia
Urban Dictionary: voice crack
voice crack - Wiktionary
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Voice break - Wikipedia
Availability - Spotify
Inopportune Voice Cracking - TV Tropes
Stream MTSG - Voice Crack by MTSG | Listen online for free on SoundCloud
Why Is My Voice Changing? (for Teens) - Nemours KidsHealth
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â â©â©â©ïž DOWNLOAD LINK đ„đ„đ„ voice crack (plural voice cracks) (informal). Your voice can crack for a number of reasons, including puberty, changing pitch or volume too quickly, and dehydration. Unintentional voice breaks are called a voice crack. Voice break may also refer to the deepening of the male voice during puberty, known as the voice change. Voice Crack was a Swiss electronic free improvisation band. Formed in late by Andy Guhl and Norbert Möslang, Voice Crack began as a free jazz duo. Profile: Now defunct Swiss experimental duo. They began in as free jazz performers and over the life of the duo moved towards electroacoustic and. Excerpt from a Spoonful Tea in a Barrel Full of Honey - Live Version2, Featuring Voice Crack. Voice Crack Radio. Fans also like. Gert-jan Prins. Vocal cracking occurs when a voice is under strain, either from the rapid growth of the larynx as a result of puberty, or from pushing the voice into higher. Text voice crack The phenomenon that occurs whenever you go to capitalize the first letter of a word while accidentally having Caps Lock on. You: Hello! Voice cracks definition: If something hard cracks , or if you crack it, it becomes slightly damaged , with lines | Meaning, pronunciation, translations. When it happens in drama (film/TV), it can be a signifier of fear, sadness or any other kind of emotional distress that causes the voice to crack when the. Voice-crack definition A sudden, unexpected and unintentional crack to one's voice when speaking or singing, which often affects boys during their puberty. Whether you are a beginner or an advanced singer, your voice can crack. This is usually due to the lack of a good vocal warm-up, but sometimes it is also due to. Stream MTSG - Voice Crack by MTSG on desktop and mobile. Play over million tracks for free on SoundCloud. Translations in context of "Voice Cracks" in English-Russian from Reverso Context: (Voice Cracks) I killed Angelica Payson. Voice Crack, the duo of Swiss musicians Andy Guhl (percussion and bass) and Norbert Moeslang (reeds), specialized in music for broken objects found in. A guy's voice "cracks" or "breaks" because his body is getting used to the changing size of his larynx. Fortunately, the cracking and breaking is only. A voice crack occurs in speech when there is an interruption in the air that creates vibration of the vocal folds. Additionally, for singers. Voice Crack discography and songs: Music profile for Voice Crack, formed Genres: EAI, Free Improvisation, Noise. Albums include Earflash, RRR
voice crack - Wiktionary
Voice Crack - Wikipedia
Urban Dictionary: voice crack
Voice break - Wikipedia
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Availability - Spotify
Voice Crack - Wikipedia
Urban Dictionary: voice crack
voice crack - Wiktionary
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Voice break - Wikipedia
Availability - Spotify
Inopportune Voice Cracking - TV Tropes
Stream MTSG - Voice Crack by MTSG | Listen online for free on SoundCloud
Why Is My Voice Changing? (for Teens) - Nemours KidsHealth
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Stream MTSG - Voice Crack by MTSG | Listen online for free on SoundCloud
â â©â©â©ïž DOWNLOAD LINK đ„đ„đ„ voice crack (plural voice cracks) (informal). Your voice can crack for a number of reasons, including puberty, changing pitch or volume too quickly, and dehydration. Unintentional voice breaks are called a voice crack. Voice break may also refer to the deepening of the male voice during puberty, known as the voice change. Voice Crack was a Swiss electronic free improvisation band. Formed in late by Andy Guhl and Norbert Möslang, Voice Crack began as a free jazz duo. Profile: Now defunct Swiss experimental duo. They began in as free jazz performers and over the life of the duo moved towards electroacoustic and. Excerpt from a Spoonful Tea in a Barrel Full of Honey - Live Version2, Featuring Voice Crack. Voice Crack Radio. Fans also like. Gert-jan Prins. Vocal cracking occurs when a voice is under strain, either from the rapid growth of the larynx as a result of puberty, or from pushing the voice into higher. Text voice crack The phenomenon that occurs whenever you go to capitalize the first letter of a word while accidentally having Caps Lock on. You: Hello! Voice cracks definition: If something hard cracks , or if you crack it, it becomes slightly damaged , with lines | Meaning, pronunciation, translations. When it happens in drama (film/TV), it can be a signifier of fear, sadness or any other kind of emotional distress that causes the voice to crack when the. Voice-crack definition A sudden, unexpected and unintentional crack to one's voice when speaking or singing, which often affects boys during their puberty. Whether you are a beginner or an advanced singer, your voice can crack. This is usually due to the lack of a good vocal warm-up, but sometimes it is also due to. Stream MTSG - Voice Crack by MTSG on desktop and mobile. Play over million tracks for free on SoundCloud. Translations in context of "Voice Cracks" in English-Russian from Reverso Context: (Voice Cracks) I killed Angelica Payson. Voice Crack, the duo of Swiss musicians Andy Guhl (percussion and bass) and Norbert Moeslang (reeds), specialized in music for broken objects found in. A guy's voice "cracks" or "breaks" because his body is getting used to the changing size of his larynx. Fortunately, the cracking and breaking is only. A voice crack occurs in speech when there is an interruption in the air that creates vibration of the vocal folds. Additionally, for singers. Voice Crack discography and songs: Music profile for Voice Crack, formed Genres: EAI, Free Improvisation, Noise. Albums include Earflash, RRR
voice crack - Wiktionary
Voice Crack - Wikipedia
Urban Dictionary: voice crack
Voice break - Wikipedia
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Availability - Spotify
Voice Crack - Wikipedia
Urban Dictionary: voice crack
voice crack - Wiktionary
How to Prevent Your Voice from Cracking: 10 Steps (with Pictures)
Voice break - Wikipedia
Availability - Spotify
Inopportune Voice Cracking - TV Tropes
Stream MTSG - Voice Crack by MTSG | Listen online for free on SoundCloud
Why Is My Voice Changing? (for Teens) - Nemours KidsHealth
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